The Chemical Brothers - Push The Button (CD, Album) (Near Mint (NM or M-))
SKU: 64986621699

The Chemical Brothers - Push The Button (CD, Album) (Near Mint (NM or M-))

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Description

The Chemical Brothers - Push The Button (CD, Album) (Near Mint (NM or M-))Media Condition: Near Mint (NM or M ) Sleeve Condition: Very Good Plus (VG+) Country: US Released: 25 Jan 2005 Genre: Electronic, Hip Hop Style: Pop Rap, Downtempo, Tech House, Big Beat Comments: Does not appear to ever have been played. Notes: Recorded at Miloco Studios, South London and the Hit Factory, New York. Mastered at The Exchange. 'Galvanize' contains elements from 'Just Tell Me The Truth' written by Najat Aatabu. Contains samples from 'Just

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
25 Jan 2005
Genre:       Electronic, Hip Hop
Style:         Pop Rap, Downtempo, Tech House, Big Beat

Comments:
Does not appear to ever have been played.
 

Notes:

Recorded at Miloco Studios, South London and the Hit Factory, New York. Mastered at The Exchange.

'Galvanize' contains elements from 'Just Tell Me The Truth' written by Najat Aatabu. Contains samples from 'Just Tell Me The Truth', performed Najat Aatabu.
'Come Inside' embodies portions of the composition entitled 'Everyday We Die a Little' written by Sara Ayers (saraayers.com), originally appearing on her CD 'Voices' (Dark Wood Recordings).
'Left Right' embodies portions of the production music 'Production Music Beds mm 123 - side b track 14 'heavy dramatic track' released on Pat Patrick Music'.
'Shake Break Bounce' contains a sample from 'Party & Bullshit' as recorded by Rah Digga used courtesy of The RCA Music Group, a unit of BMG Music.

[On disc:
Made in the USA.

[On back cover:
Printed in the USA.

 

1. Galvanize 6:33
2. The Boxer 4:08
3. Believe 7:01
4. Hold Tight London 6:00
5. Come Inside 4:46
6. The Big Jump 4:43
7. Left Right 4:14
8. Close Your Eyes 6:13
9. Shake Break Bounce 3:44
10. Marvo Ging 5:28
11. Surface To Air 7:25

 

Barcode and Other Identifiers:

Barcode 7 24356 32822 8
Barcode 724356328228
Matrix / Runout 7301 724356328228 E41220-12 A
Mastering SID Code L383
Mould SID Code IFPI 6100

 

Phonographic Copyright (p) Virgin Records Ltd.
Copyright (c) Virgin Records Ltd.
Licensed To Astralwerks
Glass Mastered At Cinram, Richmond, IN
Pressed By Cinram, Richmond, IN

Data provided by Discogs
Product listed via Disconnect
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SKU: 64986621699

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A must for Spanish Speaking Officers.
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I sought out this book because I did not feel comfortable speaking Spanish in a law enforcement context. This booked greatly improved my Spanish and allowed me to bolster my proficiency. If you are a Spanish Speaking officer, please get this book.
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This book applies to others also, not just law enforcement. There is a lot of information in the book that will help you with all your Spanish. Found it to be accurate with dealing with locals as many of the words are a little different than what you learn in Spanish 101(Spain Spanish). For law enforcement officials wanting to learn to communicate with latinos in america, this book will help you learn what you want to say. There are three CD's with the book. I would strongly suggest listening to the CD's over and over again.....it really will help you.
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It's an excellent textbook from the Barron's series of which I have this author's other books. I love the set up. I'm constantly trying to improve my Spanish in different categories....these books are amazing.
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A must-read for anyone interested in communication studies, rhetoric, American public debates
Format: Paperback
In this seminal book, Fisher expounds his "narrative paradigm," a sweeping theory of human communication and more. Professor Emeritus at USC's Annenberg School of Communication, Fisher's discipline was rhetoric. But the book's subtitle -- "Toward a Philosophy of Reason, Value, and Action" -- isn't a stretch. Fisher's theory is a grand project extending its purview way beyond the communication department's door. At root is Fisher's rejection of what he calls the "rational world paradigm," which falsely separates logos from mythos, reason from imagination, fact from value. Doesn't work that way, Fisher says. No such thing as a value-free belief, assertion, or action. Instead, we evaluate according to a "logic of good reasons" -- reasons we value as good -- rooted in the narratives of our experience. An under-appreciated aspect of Fisher's work is the application of his theory to American politics. America's most enduring narrative is The American Dream. But that dream comprises two sub-narrative strands: the "materialistic myth" and the "moralistic myth." These two strands broadly represent conservative and progressive impulses respectively, but those threadbare categories don't do Fisher's explication justice. The two myths find their roots in the narratives of the earliest Americans, and have been battling it out ever since. It's a credible understanding of the history of American public moral debates.
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